Is there a Script Doctor in the House?

What is and isn't happening from a structural perspective, with a focus on Ukraine

Nam-June Paik, Route 66, 1993, multi-media installation

Hadn’t planned on looking at The Script until something conclusive came up to talk about. I pick up on big patterns, so I saw the inorganicness early. But I don’t have any special information or access other than what’s on the basic internet. No way of knowing how, why, or what specifically happens. The last Script post finished what could be observed about how it appeared. Anti-clown, semi-autarkic Great Power 2.0, domestic focus, techno-luciferian, preserving House of Lies, etc. How it plays out or what it ultimately amounts to needs more data.

Some caveats for a critical tone. Things take time. That said, there is already sufficient data to conclude that whatever happens, the highly aggressive opening has not been followed through on. This is not a black pill. The Script was never moral or reality-facing. Reiterating that the depth of the conflict is uncertain and the Scriptwriters want to maintain the House of Lies wasn’t for no reason. It was to emphasize realistic expectations.

Francis Dicksee, The Ideal or In Quest of Truth, 1905, with 1927 additions, oil on canvas

The opening salvo is what a radical agenda would start with. But that is necessarily followed with sustained forward pressure. Like a fighter extending combinations to break down a slick defence. It’s not turned off and on. There’s either a process for dealing with open criminality in government and the judiciary or there isn’t. We’ve now seen that there isn’t. That we are remaining in the make believe framework that corrupted clown systems are the mythic will of the more mythic founders.

Domestically, there’s lots of room for optimism even in that limited hangout. The more meritocratic, sustainable, pro-reality aspects of the Script are much more positive than expected this time last year. The narrative engineered public mood shift hasn’t had much substantive impact. But more time needs to pass to properly assess. The geopolitical is less rosy.

Nowhere more than the jackassery around Ukraine. Yes we’ve entered the systemic collapse event horizon. But all the more reason to be decisive and not cling to dying carcasses of clowns past. There’s only one chance to navigate epochal change while it’s happening. Ukraine is the microcosm that lets us see this clearly.

Until recently, there have been two main narratives running in parallel. Meaning they never cross or meet at a common point. There are also two main ways of framing them. Beast relativism likes the two sides to every story equivocation. Logic and observation prefers the relatively true and false adjudication. [Actual Russian goals and accomplishments] and [inverted Clown word magic]. It’s reached a climax recently, with Euro-squeakers penning tomes of fan fiction about what they must do. Ignoring that [ability to do anything] doesn’t exist as an option in reality.

It’s been a remarkable demonstration. Start with the word magic.

Buzz Aldrin’s signed Apollo 11 pre-flight portrait with lunar surface backdrop, July, 1969, NASA Red Number chromogenic print

We know the House of Lies proceeds as if obvious falsehoods are true. Figuratively speaking them into reality by just acting like they happened. Big picture, it’s why grandiose claims don’t materialize. When was Mars again? Or consider all the failed War on Abstractions and go from there. Can’t build when the previous level you’re building on is fading nonsense. Imagine spending the trillions blown on Clown wars on infrastructure, public spaces, and actual security and order. The future flips, even at the government 40% productivity haircut.

The word magic is just stating that what’s happening is something else. Readers know entire fake histories can be built up through layers of fake claims. It’s very effective for narrative engineering - like any fiction writing, there’s no intrinsic limit on how far a story can go. Our crumbling Enlightenment materialist paradise has trundled on for a couple of centuries. But there’s no actual power in the words. This is where understanding CLI and the FTS-2 NPC are so helpful. You don’t have to trick the normies. Not beyond the general base code unconscious programing. The screens only have to tell them something that feels truthy and they repeat until its overwritten.

It’s why mainstream narratives are so stupid and effective at the same time. “Stupid” is a rational assessment. Logic and evidence. NPCs don’t operate that way. The screen fills the RAM with the appropriate feeling. True/false, smart/stupid, clear/incoherent type assessments aren’t even conceptualized. It becomes a problem is when the towers of lies collide with reality directly. When truth is too obvious to miss and too divergent to handwave away. Letting enough reality in to assuage the huffers without rocking the larger narrative is a fine line.

What makes Ukraine remarkable is more than getting to watch narrative inversion spin up in real time. It’s watching when internally-coherent real-time information is available with minor effort. Much easier than with covid. Both sides propagandize. But only one tracks observable phenomena. Like WW-scale new cemeteries to forced conscription to emptying NATO stocks. Two diverging narratives, one at least loosely realistic and one total phantasy. Both heading to a reckoning.

On the plus side, the comparison is educational - like a controlled experiment. We can see how long fake narrative springs from a few central lies. Cornerstones that the reality-facing barely remember because they were obviously retarded, fake, ghey, and irrelevant. But somehow enter the NPC base code where they support entire Jenga towers of fervid nonsense. Vertical integration. Like how inverted casualty numbers spring from older false assumptions about superior Western weapons and Russian military prowess dating to WW2 and prior.

In Clown World, reality doesn’t matter. Engage in cultural destruction while claiming it’s anything they want. Wash rinse repeat. Like actually staffing as if people really were interchangeable then watching nothing work properly. But something like mass enstupiding takes time to show its effects. War reduces decades and years to years and months. The Clowns planned on word magicking a Russia narrative into existence when the SMO started. Something like this…

Word magic relates to each step on a couple of levels. Big picture, there’s the fake framing narrative about Clown World superiority. That has to be there. The entire House of Lies depends on pretending myth-driven social engineering works. Then the Clown World superiority myth frames the individual specific lies. Cartoonish Baghdad Bob tier propaganda about inverted casualty counts and the Ghost of Kiev. Each step is faked in ways that make the levels line up. The inverted casualties being what’s expected when a primitive Zerg rush encounters advanced technology. There are a few losses on the Federation side. Occasionally a paladin misses one while mowing down another horde and gets hit with a shovel while reloading his Gatling laser.

It’s actually difficult to do a parody of the infantile nonsense clogging NPC screens. It seemed ridiculous at the time, considering the current outcome was obvious then. And spooling up new Ukrainian armies only postponed the inevitable.

In hindsight, the Clowns thought they were running one of their rigged games. Where corruption delivers the outcome the lie can’t. I think they really thought the sanctions would do something. [And then they rise up and overthrow Putler] may be a retarded strategy. But that doesn’t matter if it’s believed. Note the date on the article above where the map in the preceding graphic comes from. It’s not a coincidence to see the decolonization rhetoric since it was peak Clown jargon. A House of Lies narrative was forming and ready to roll out. The Preghosin Putsch was probably the break glass in case of emergency.

The problem from the Clown perspective is external reality. Russia is following its own narrative, outside of Clown control. It absorbed Western indignities while gearing up for this fight and moved only when ready. Since then, it’s done what any real power in a WW type scenario does. Ramp up industrial output and recruitment, secure real productive allies like North Korea, and constantly innovate new hardware and tactics. I can remember when it was a truism that war juiced a certain kind of innovation. Note how Clown World can’t even replenish its embarrassingly meagre stocks of overmatched 90s weapons. While Russia continues to level up.

Vladimir Kireev, Land of the Fathers, 2012, oil on canvas.

Russia’s national mythology or narrative becomes significant here. Bearing any cost and smashing existential invasions with blood, fire, and steel. Once it became clear denazification and demilitarization meant all of NATO, they settled in for the long haul. Meanwhile Clown World sprayed nonsense in support of another foundational lie - that this is isn’t a war of attrition.

Seriously. What are a few hundred long-range missiles supposed to accomplish strategically? Kill some random Russians, but nothing of substance on an industrial attritive level. Of course it was never framed like that in the House of Lies. “War of attrition” wasn’t even mentioned as something to consider.

E. Walker after William Simpson, Charge of the Light Cavalry Brigade, 25th Oct. 1854, under Major General the Earl of Cardigan, 1855, Goupil & Cie, Paris, and Day & Son, London, Library of Congress

This meant the entire mainstream war narrative departed from a false set of assumptions. Almost like treating the Seige of Malta like a maneuver contest. Whatever the quality of the prose, it’s historical fiction. To the point where even talking to a narrative-huffer became impossible. The basic frames of reference are too divergent and CLI means no amount of time is enough to “fill them in”.

The result? A multi-year narrative based around taking territory and big offensives that had nothing to do with what was happening. Whatever that “counter-offensive” horror show was …

Attributed to either François de Nomé or Didier Barra (Monsù Desiderio), The Triumphant entry of Death into a City with Classical Ruins, first half of 17th century, oil on canvas

Like Kursk, the most logical theory is blood sacrifice. Which suits attrition warfare just fine. Russia set up a 10 to 1 slaughterhouse. It’s possible when willing to concede territory to maintain the destruction rate and preserve your own lives. Especially after the Wagner phase. Now it’s more like 20 to 1 and rising as kids, girls and the like join the abattoir. The point is that attrition has very little to do with movement - unless seizing productive assets. As Smart Bandling noted about the situation, I’ve seen enough kitchens to know the meat grinder doesn’t move.

Enter The Script. The obvious play, as noted here and elsewhere, was send Ukraine under the bus and cut ties with NATO. Again, we are in a world where non-House of Lies information is available. To the degree where seeing the two in parallel is surreal. It even looked like that was happening. What did happen is the next post. For now it’s enough to note it wasn’t that. And the problem with Trump is blathering as if the collapsing Clown narrative was real. As if the US wasn’t a current co-belligerent with Trump 1.0 crowing about arming them. As if “sanctions” didn’t blow back so hard they accelerated my 2030s collapse timeline. As if the US has any capacity to influence the outcome at all. That’s the next post.

Until then, some things to consider. I always assumed the Scriptwriters knew the truth. Do they? What’s the strategic value in perpetuating a collapsing lie? Particularly one that makes Trump appear ignorant and impotent to the wider world. There are different possibilities, but isn’t effective rhetoric in any of them. Has the Trump character jumped the shark? Is he agree & amplify stalling while Russia does the needful? Something in-between? My opinion is that there are higher rules of some sort in place that precludes just cutting ties, but that’s mostly impression. It is true that The Script doesn’t actually need Trump anymore. Though at his age, he may be valuable in a diminished state. It’s not as if [senile puppet] is a novel idea.

Check-ins may be less frequent as the pace slows, but tracking continues. As does the need to focus on the personal and metaphysical over the beast. Just note how idiotic geopolitical lies hang around and become mainstream cornerstones. Despite being idiotic. It’s the same thing we see in all House of Lies pillars - science, econ, etc.- where flawed primary models/first principles found nonsense towers. If it isn’t real, adding an imaginary penthouse to the screens doesn’t change anything. There’s no fixing this. But there is navigation.

Tom Ryan, No Contest (Trouble at the Creek), 21st century, oil on board